purplebells:

itsbeenaperfectday:

Lost in Translation written and directed by Sofia Coppola

I read in a magazine the other day that bob whispered something like “i have to go, but i won’t let that get between us”. It made me really happy.

purplebells:

itsbeenaperfectday:

Lost in Translation written and directed by Sofia Coppola

I read in a magazine the other day that bob whispered something like “i have to go, but i won’t let that get between us”. It made me really happy.

(via timelyobservations)

part of the reading list

timelyobservations:

Cosmos, Wiltold Gombrowicz; Leaving the Atocha Station, Ben Lerner; The Graduate, Charles Webb

thank you: http://flavorwire.com/246995/required-reading-for-your-quarter-life-crisis#1

emily-kochany:

exxcors:

science-progress:

Falling in love

this is like, the most perfect photoset ever

so devastatingly accurate 

(Source: razorshapes, via oldsoulswelcome)

"Do you still perform autopsies on conversations you had lives ago?"

Donte Collins  (via thatkindofwoman)

(Source: bleedwell, via thatkindofwoman)

"How do we forgive ourselves for all of the things we did not become?"

"14 Lines from Love Letters or Suicide Notes" by David ‘Doc’ Luben   (via thatkindofwoman)

(Source: bruisedkneesclub, via thatkindofwoman)

northmagneticpole:

Picasso

northmagneticpole:

Picasso

(Source: postpatternism, via gold-gum-deactivated20140720)

(via everythinglovely)

museumuesum:


Edith Dekyndt
Provisory Object I, 1997
DVD Projection, Running time: 2 minutes, 29 seconds
Edith Dekyndt experiments with the physical limitations of matter and how the “lives” of these elements are often imperceptible to the human eye. In 1999, she founded the groundbreaking group Universal Research of Subjectivity, which focuses on the promotion and dissemination of works of art that center on minimal and conceptual forms. Working in a variety of media, such as text, video, and simple technology, Dekyndt seeks to question what she calls “both the individual and global positions of people in society” by exploring the limits of the relationship between art, science, and reality.
The three works that make up her “Provisory Object” series focus, in fixed shots, on a sequence of experiments she conducted in different atmospheric conditions with a bubble of soapy water collected in two hands. In each instance, the ephemerality of the soapy water determines the length of the work. The first work in the series, Provisory Object 01, 1997, was filmed in Belgium at 16°C (61°F). Here, the soapy water forms a dazzling, colorful membrane of light that occupies the diamond shape formed by the thumbs and index fingers of both hands. The imagery is reminiscent of childhood and the dazzling surface of a breath-blown bubble against the summer sun. In Provisory Object 02, 2000, filmed in Canada at -20°C (-4°F), the bubble’s membrane becomes transparent and shrinks after a few moments of contact with the cold. In the third and final experiment, Provisory Object 03, 2004, filmed in theCongoat 25°C (77° F), the soapy water takes on a more visceral appearance and survives for the shortest length of time.

museumuesum:

Edith Dekyndt

Provisory Object I, 1997

DVD Projection, Running time: 2 minutes, 29 seconds

Edith Dekyndt experiments with the physical limitations of matter and how the “lives” of these elements are often imperceptible to the human eye. In 1999, she founded the groundbreaking group Universal Research of Subjectivity, which focuses on the promotion and dissemination of works of art that center on minimal and conceptual forms. Working in a variety of media, such as text, video, and simple technology, Dekyndt seeks to question what she calls “both the individual and global positions of people in society” by exploring the limits of the relationship between art, science, and reality.

The three works that make up her “Provisory Object” series focus, in fixed shots, on a sequence of experiments she conducted in different atmospheric conditions with a bubble of soapy water collected in two hands. In each instance, the ephemerality of the soapy water determines the length of the work. The first work in the series, Provisory Object 01, 1997, was filmed in Belgium at 16°C (61°F). Here, the soapy water forms a dazzling, colorful membrane of light that occupies the diamond shape formed by the thumbs and index fingers of both hands. The imagery is reminiscent of childhood and the dazzling surface of a breath-blown bubble against the summer sun. In Provisory Object 02, 2000, filmed in Canada at -20°C (-4°F), the bubble’s membrane becomes transparent and shrinks after a few moments of contact with the cold. In the third and final experiment, Provisory Object 03, 2004, filmed in theCongoat 25°C (77° F), the soapy water takes on a more visceral appearance and survives for the shortest length of time.

(Source: zuzafun.com, via my-quarterlifecrisis)

"Run into the wonder & the wildness that is creation, despite yourself. Run into the longing instead of against it, where you are known."

Jonathan Martin  (via thatkindofwoman)

(Source: explore-everywhere, via thatkindofwoman)